La o privire de ansamblu, dou\u0103 direc\u021bii \u00ee\u0219i \u00eempart spa\u021biul criticii rom\u00e2ne\u0219ti: direc\u021bia estetic\u0103 \u0219i cea \u0219tiin\u021bific\u0103. \u00cencep\u00e2nd cu Maiorescu \u0219i Gherea, aproape toate modurile de a \u00een\u021belege \u0219i practica critica se pot reduce la aceste atitudini generale. Genera\u021biile succesive de critici vor alege, cu excep\u021biile de rigoare, s\u0103 perpetueze dihotomia \u00een cauz\u0103 ca parte a identit\u0103\u021bii de breasl\u0103 \u0219i de grup, \u00eent\u00e2rziind astfel sincronizarea real\u0103 a criticii rom\u00e2ne\u0219ti cu orient\u0103rile teoretice interna\u021bionale.<\/p>\n
Dup\u0103 al doilea r\u0103zboi mondial, critica rom\u00e2neasc\u0103 s-a situat \u00eentr-un dublu sistem de raporturi: pe de o parte, cu tradi\u021bia autohton\u0103 interbelic\u0103, prelungit\u0103 prin activitatea unora dintre criticii afirma\u021bi \u00een anii \u201930-\u201940 \u0219i, pe de alt\u0103 parte, \u00een raport cu evolu\u021biile interna\u021bionale \u00een domeniu. Ca \u0219i \u00een cazul literaturii, modernizarea \u0219i independen\u021ba criticii au ajuns s\u0103 fie echivalate cu procesul de reconectare la valorile interbelice, \u00een special la linia estetic\u0103 promovat\u0103 de Maiorescu \u0219i mai ales de Lovinescu, ceea ce a \u00eempins \u00eentr-un plan secund dialogul viu de idei cu Occidentul al \u201cavangardei consacrate\u201d. Analiza detaliilor acestui proces complex de receptare face obiectul c\u0103r\u021bii de fa\u021b\u0103.<\/p>\n
\u201c\u00cen ansamblu, volumul [Oanei Fotache] este organizat, la nivel macrotextual, dup\u0103 un criteriu tipologic (cele dou\u0103 paradigme majore: \u0219tiin\u021bific\u0103 \u0219i impresionist\u0103, analizate, poate, \u00een ordinea unei preferin\u021be personale a autoarei), iar la nivel microtextual, dup\u0103 un criteriu cronologic (prezentarea criticilor inclu\u0219i \u00een cele dou\u0103 filiere ale fiec\u0103rei paradigme \u00een parte este realizat\u0103 cronologic). Nu lipse\u0219te, \u00eens\u0103, din aceast\u0103 prezentare cronologic\u0103 a principalilor critici \u0219i\/sau formule critice perspectiva rela\u021bional\u0103, at\u00e2t \u00een construirea rela\u021biilor diacronice, c\u00e2t \u0219i a celor sincronice. Un critic este astfel situat \u00een ordinea unei \u00abistorii\u00bb… critice a criticii rom\u00e2ne\u0219ti, dar este privit \u0219i ca f\u0103c\u00e2nd parte dintr-o familie mai mare de critici, rom\u00e2ni sau str\u0103ini, care \u00eemp\u0103rt\u0103\u0219esc o serie de afinit\u0103\u021bi structurale \u0219i de g\u00e2ndire\u201d. (din Delia Ungureanu, \u201cCritica rom\u00e2neasc\u0103 postbelic\u0103 fa\u021b\u0103 cu ordinea teoretic\u0103\u201d, \u00een Observator Cultural, nr. 516, 12 martie 2010)<\/p>\n","protected":false},"excerpt":{"rendered":"
La o privire de ansamblu, dou\u0103 direc\u021bii \u00ee\u0219i \u00eempart spa\u021biul criticii rom\u00e2ne\u0219ti: direc\u021bia estetic\u0103 \u0219i cea \u0219tiin\u021bific\u0103. \u00cencep\u00e2nd cu Maiorescu \u0219i Gherea, aproape toate modurile de a \u00een\u021belege \u0219i practica critica se pot reduce la aceste atitudini generale. Genera\u021biile succesive de critici vor alege, cu excep\u021biile de rigoare, s\u0103 perpetueze dihotomia \u00een cauz\u0103 ca parte […]<\/p>\n","protected":false},"featured_media":10707,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[1464,979],"product_tag":[925],"class_list":{"0":"post-2500","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-filologie","7":"product_cat-limba-romana","8":"product_tag-romana","10":"first","11":"instock","12":"shipping-taxable","13":"purchasable","14":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/editura-unibuc.ro\/en\/wp-json\/wp\/v2\/product\/2500","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editura-unibuc.ro\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/editura-unibuc.ro\/en\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/editura-unibuc.ro\/en\/wp-json\/wp\/v2\/comments?post=2500"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/editura-unibuc.ro\/en\/wp-json\/wp\/v2\/media\/10707"}],"wp:attachment":[{"href":"https:\/\/editura-unibuc.ro\/en\/wp-json\/wp\/v2\/media?parent=2500"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/editura-unibuc.ro\/en\/wp-json\/wp\/v2\/product_brand?post=2500"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/editura-unibuc.ro\/en\/wp-json\/wp\/v2\/product_cat?post=2500"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/editura-unibuc.ro\/en\/wp-json\/wp\/v2\/product_tag?post=2500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}